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Part 1 |
Part 2 |
Part 3 |
| The Greatest Story Ever Told | All The World's A Stage | Don't Mind The Man Behind The Curtain |
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SOURCE: http://en.wikipedia.org/wiki/Zeitgeist_movie
Part I evaluates the historicity of the Bible. In furtherance of the Jesus myth hypothesis, this part argues that the historical Jesus is a literary and astrological hybrid,[8] and that the Bible is based on astrological principles documented by many ancient civilizations, especially pertaining to the movement of the sun through the sky and stars. The film explains how and why early civilizations personified the Sun as the "representative of the unseen Creator or God" and how stars were linked into constellations, the 12 constellations being a place of travel for "God's Sun" and representing "elements of nature that happened during that period of time." This section is also used by the film to show the Pagan origins of the symbol of the Cross.
Horus, the Ancient Egyptian Sun God, is introduced as having a number of attributes in common with Jesus. For instance, Horus was born of a virgin mother, his arrival was proclaimed by a star in the east and upon his birth he was adored by three kings. He was a child teacher at 12, was baptized at 30, traveled with 12 disciples and performed acts such as healing the sick and walking on water. The relationship between Horus and Set is also discussed. The movie describes this conflict as "one of the most ubiquitous mythological dualities ever known and it's still expressed at many levels at this day."
According to the movie, religion and myths in general are used to manipulate people and maintain established social structures.
Part II of the documentary claims 9/11 was engineered to generate mass fear, justify going to war with Afghanistan and Iraq, to remove civil liberties from the general public, and to make more money for the people in power. These theories include that the United States was warned about the impending September 11, 2001 attacks, that NORAD allowed the planes to reach their targets, and that the World Trade Center buildings underwent a controlled demolition. The film also explores the theory that six of the named hijackers are still alive, that Hani Hanjour could not have flown Flight 77 into the Pentagon, that the Bush Administration covered up the truth in the 9/11 Commission Report, and that the mainstream media has failed to ask important questions about the official account.
The Federal Reserve
According to Part III, powerful bankers have been conspiring for world domination and increased power while the rich of society have been using their wealth to increase financial panic and foster a consolidation of independent competing banks. The film details the Theory of Electronic Conspiracy and claims that the Federal Reserve System, the central bank of the United States, was created in order to steal the wealth of the nation. It explores war profiteering by banking cartels and defense and military contractors. It describes the goal of these bankers as world power over a controllable public.[9]
This section also explores the possibility that there is a clandestine movement, promoted by the Security and Prosperity Partnership of North America, to usurp the American constitution and US dollar, by merging the United States, Canada and Mexico into a North American Union that uses a single currency, the Amero, without the ratification of Congress. This currency union would create a super-state similar to the European Union, which together with the African Union and the proposed Asian Union would gradually be merged into a One World government. The movie concludes that under such a government, every human could be implanted with a RFID microchip which will be used to monitor individuals and suppress dissent. It also claims that the Internal Revenue Service and the U.S. Federal Income Tax are unconstitutional and there are no laws which state that citizens must pay the tax. The movie ends, however, on an optimistic note, expressing confidence in the possibility of overthrowing oppressive forces and the ultimate triumph of revolution.
In addition to attracting significant public interest,[8] it has been criticized for relying too heavily on anecdotal evidence,[10] and for using unidentified, undated, and unsourced video news clips, voice-overs, quotes, and book citations without page numbers.[11][12][13] In a piece entitled Internet idiocy: the latest pandemic, the Arizona Daily Wildcat refers to the film as "internet bullshit" saying that "witty sayings, fear tactics and a cool, assertive air all enable them to convince the unwitting public of their points".[14] The Irish Times called it "unhinged" and accused it of offering nothing but "surreal perversions of genuine issues and debates."[8]
Jordyn Marcellus of The Gauntlet felt it was ironic that the film's viewers "have blindly followed the documentary without doing their own research." He states that, though the film is "well-edited and is truly compelling", it "glosses over inconvenient facts," uses "deceptive filmmaking" and that "for a film that rails against deception, there's a lot of deception implicit in its creation."[13]
SOURCE: http://en.wikipedia.org/wiki/Zeitgeist_movie
